Arundhati Nag shares insights on the theatre landscape at the inception of Ranga Shankara two decades ago, her aspirations, the ensuing reality, and her vision for its future. Ranga Shankara stands as a revered institution that has revolutionized perceptions of theatre. Initially considered art for the elite, Nag notes a shift in perspective where engaging with theatre is no longer restricted to intellectuals. Through the transformative power of experiencing a play, individuals' perspectives are broadened. Nag emphasizes how Ranga Shankara has revolutionized theatrical consumption over the past two decades, transcending the traditional notion that plays are exclusively attended on weekends to include weekdays as well. Reflecting on her personal commitment to the craft, Nag describes the challenges of urging actors to invest more in their artistic development while also celebrating the innovative strides being made by emerging theatre troupes. Nag's unwavering dedication to realizing ambitious aspirations for Ranga Shankara is evident, with an acknowledgment of the journey marked by successes and setbacks. She highlights the widening gap between traditional and contemporary theatre forms, underscoring the need for bridging this divide.States like Gujarat, Bengal, and Karnataka united in an anti-colonial voice, reflecting the urban shift in India and the widening gap between urban and folk theater. It is a global trend that should be monitored, especially in India with its vast array of languages and artistic forms that must be preserved for future generations. In 2004, during the inaugural night of Ranga Shankara, a pivotal moment was captured.
Twenty years ago, there were around 50 theater groups, a number that has now doubled, showcasing the substantial growth in the theater community. While this surge has attracted more young enthusiasts and amateurs, there is a desire to promote the idea that watching theater is not only enjoyable but also enriching. The individuals who support arts like theater selflessly deserve admiration, as they play a vital role in sustaining artists and their dreams.
Arundhati Nag believes in exploring diverse avenues without reservation and sees the future of the arts, particularly theater, as promising. Unlike costly cinema or mindless television, theater offers a platform for cultural enrichment at an affordable price. Watching performances by renowned actors like Shabana Azmi or Naseerudin Shah for a nominal fee provides a unique learning experience about one's heritage and traditions. The educational opportunities within theater are limitless.
Amidst rapid global changes, maintaining a spirit of generosity and a commitment to excellence is crucial, according to Arundhati Nag. Reflecting on her accomplishments, she emphasizes the importance of perseverance and openness to new experiences.What I hope remains at the heart of Ranga Shankara long after we are no longer here is its enduring spirit of generosity and commitment to excellence. Merely being generous may lead to naivety, while solely pursuing excellence can result in arrogance. Striking a balance between the two is truly invaluable. Arundhati Nag and the late Girish Karnad were spotted engaging with literary figures at the event.
